The old book in the AOPA aviation library hadn’t been opened in decades and was about to be discarded when a sharp-eyed staffer noticed something unusual about it. Several sketches were inscribed in pencil on the inside covers of Monoplanes and Biplanes, a 331-page tome published in 1911 at the manic dawn of the aviation industry. The artist, and presumed then-owner of the book, had signed his name, too: Knox Martin.
“I got curious about who Knox Martin was, so I Googled him,” said Toni Mensching, a former AOPA staffer. “It turns out he was a pioneer aviator who had lived a fascinating life.”
William Knox Martin, born in rural Virginia in 1891, began flying in his teens, explored Venezuela by air in a Curtiss biplane, was a Boeing test pilot, flew for the U.S. Marines in Europe in World War I, and brought a surplus Curtiss Jenny to Colombia where, in 1919, he became the first person to fly across the Andes. “El Intrepido Aviator Americano,” as he was known, barnstormed Figure-8 around the twin spires of the cathedral at Baranquilla; started air mail service there; and married a South American beauty, Isabel Vieco.
The Martins had three children, and he put high-risk flying aside for an art career in the mid-1920s and moved to Virginia. He died in 1927 when the car he was riding in crashed in Watertown, New York.
Mensching wondered whether Martin had any living relatives, and it didn’t take her long to find one. She discovered another Knox Martin, this one a renowned New York artist and professor who was born in Baranquilla, Colombia, in 1923. The artist, now 92, had served in the U.S. Army as a glider pilot during World War II, and he still teaches master’s-degree courses at The Art Students League in Manhattan.
Mensching contacted Martin by phone, confirmed he was the son of the pioneer aviator, and arranged for AOPA to give him the book with his father’s 104-year-old drawings. Martin was just 3 years old when his father died, but has distinct memories of him. They even flew together when he was a toddler, and a model Jenny hangs from the ceiling of the artist’s studio in Washington Heights.
“He used to take me flying against the protestations of the whole family,” Martin said. “He bundled me up in warm clothes and fixed me to his chest.”
Examining the drawings his father made at age 21, Martin said his dad’s playful personality and focus are clear.
“The details of the airplane are so lifelike,” he said. “I’ve seen some of my dad’s composition books, and he filled them with drawings of hawks. He studied every detail of the way they flew, the way they turned, the angle of their wings and tail.”
Martin said his father left a wealth of drawings, paintings, notes, maps, stamps, and other early aviation artifacts, but they were sold or discarded long ago by an aunt who didn’t appreciate them. Martin said he understands the appeal that flying in that period held for his father.
“Aviation was so new and so exciting,” he said. “The pace of advancement was extraordinary, and it was happening everywhere. There were worlds to conquer, and he was part of that.”
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