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Portfolio: Mike Fantuz

Painting from a drone perspective

He's a pilot, air traffic controller and an artist.
"Trinity" oil on canvas 2023 Trinity, Newfoundland
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"Trinity" oil on canvas 2023 Trinity, Newfoundland
Canadian Mike Fantuz began his aviation career flying skydivers in northern British Columbia. The aviation bug was inherited; his maternal grandfather was in the RAF, his uncle in the Royal Canadian Air Force, and his paternal grandfather was an artist for A.V. Roe & Co., designers of the Avro Arrow. That grandfather was also an artist and Fantuz inherited his palette knives. Those knives are a key part of a distinctive technique the artist employs to add texture and dimension in oil and acrylic paint. With the inheritance of his grandfather’s palette knives, Fantuz was inspired to create the large-scale paintings of the Canadian landscapes of his homeland. Palette knives were originally designed for mixing paints, but some artists use them for painting as well. Fantuz’s unique perspective of the world, combined with the tools passed down to him by his grandfather, set the stage for the striking, large-scale oil paintings he is known for. During the pandemic, he pursued his drone license. “It has been a tremendous asset in my art making, as I am able to access unique perspectives that few people in art can get,” he said. Fantuz shares his passion for art and the outdoors with his wife, Emilie. The couple complement each other’s work; with drone imagery and aeronautical charts, he focuses upon the complexity of landscapes while Emilie transforms scenes into a tableau of detailed forms. The artists live in Vancouver where Mike works for NAV Canada. He has 600 hours flight time, commercial and multiengine ratings. “My favorite is painting scenes I have captured with my drone. The aerial perspective is an arena to explore deeper thoughts and ideas I have about civilization, our relationship to each other, and our relationship to the Earth,” he said.
Julie Walker
Julie Summers Walker
AOPA Senior Features Editor
AOPA Senior Features Editor Julie Summers Walker joined AOPA in 1998. She is a student pilot still working toward her solo.

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